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SLOANE S. MONROE

Tableau IV: The Object

Raw Power and the Absence of an Audience

The silk ribbon slid away. Flora lifted the lid of the grey box.

Inside, nestled in charcoal felt, was the device.

“It’s… small,” Laura said, her voice dropping. “I expected something industrial.”

It was a handheld instrument, the size of a smooth river stone, curved to fit a palm. Its surface was matte charcoal, absorbing the amber light of the room. There were no buttons, just a seamless pressure pad.

Flora lifted it. “Here.” She handed it to Laura.

Laura’s eyes widened. “Oh. It’s heavy.”

“It’s dense,” Maud observed, touching the cool surface. “It doesn’t feel hollow.”

Flora took it back and pressed the pressure pad. There was no buzzing noise. No rattling plastic. Instead, a low-frequency hum began deep inside the device, a sound so deep it was more felt in the teeth than heard in the ears. A tiny white LED pulsed steadily.

“It’s not trying to be a person,” Laura said, the sarcasm gone from her voice. “It’s just… raw power.”

The shift in the room was physical. The intellectual distance they had been keeping—the jokes about ‘archives’ and ‘history’—evaporated. They were three women in a room with a locked door, and for the first time in years, there was no audience.

“I don’t know what to do,” Maud admitted, her voice trembling. “Without a script… without someone telling me what they want… I don’t know what I want.”

“That’s the point,” Flora said. “We figure it out.”